I was listening to a
Jamaican radio program the other day and they were talking about how rape was
formerly part of the Jamaican culture. It was two male hosts and although I had
no doubt they were serious there was playfulness about the way they approached
the subject, being a Jamaican it made me sit up and listen but I did feel
awkward. They laughed as they talked about when girls said no in Jamaica it
meant nothing because men took it to mean yes and would basically force
themselves onto the woman. Mostly men called in and one mentioned that when he
came to America his mother made sure to tell him “no” meant no in America, and
not the yes it implied in Jamaica. I gathered from listening that the point of
the topic was to say that was then and this is now, back then men forced
themselves and now they respect when the woman says no. However, there was something that just didn’t
feel right about the conversation.
Just then a particular
party came to mind, was in Jamaica and I attended a local party on Negril beach
where they played a song by a local DJ whose lyrics referred to having “raper
blood”, you got it “rape-r blood”. Raper blood was aggression towards
women in a sexual way, about forcing oneself on a woman, in essence raping her.
When that song came on the crowd went wild screaming and cheering, male and
female.
They had party dancers
who simulated intercourse in the most violent way, sometimes the male dancer
jumped from on top of a table or shelf on to a female dancer being held by two
male dancers. This routine was common and the highlight of the night, people
came to the party and waited around to see the “rape” stunts. People of all ages, younger and older men and
women and the majority of them cheered as the song played and the dancers
danced. Simulated sex broke out all around the room; I was very disturbed by
it. Mostly because I felt I could be raped at any minute. I was so
disturbed I left the party. I couldn’t help but wonder how many girls would be
raped that night because of this culture that painted rape as “manly” and macho
or just a dance. Needless to say the next day I brought it up to some fellow
Jamaicans and asked them if they knew about this “raper blood” song and the
rape stunts. “Yea mon’” they all answered “a so dem dance” one added. To them Raper
Blood was something innocent and a just a dance thing, they tried to convince
me but I couldn’t process it. It was the sure way to get the girl, one said; the
logic being “after you sex her then she will say yes,” another male fan
explained to me. Even though the song said “raper blood” the men insisted it wasn’t
really rape (in America it would be called date-rape). Many of the men stated
they liked the girls, adding-look how they danced or how they were dressed, to
the men---this was proof that they (the girls) wanted it and as men were just
giving women what they wanted.
Later as I sat on the
beach I saw one of my female teenage Jamaican friends (16 years), I couldn’t
wait to ask her if she knew the raper song. “Yes”, she told me as she laughed
at the face I was making. I asked how she felt about it, she shook her head and
said “ah it a lick ya now” (meaning it was the current hit song at local
parties). They were very cavalier but I was still traumatized and I wanted
someone else to be outraged the way I was but no one else was, just me.
It was great to hear
these men on the radio talk about the “rape culture” as if they were disgusted
by it and I was glad they saw it as the past, but they talked as if it was only
past for those living in America and I don’t think for a minute the hosts
having the discussion understood that was the impression they were giving to
listener, or maybe just me.
“They will call da
police pon you now-a-days,” said the one with the deepest voice, the emphasis
being on the woman will call the police and not that the act of forcing oneself
onto a woman was wrong. The awkwardness I felt as I listened was that the hosts
seemed to say it was off limits in America but still okay in Jamaica and if the
song “Raper Blood” was any indication the culture is far from being in the
past.
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